03011cam a22003498i 450000100090000000300040000900500170001300800410003001000170007102000250008804000290011304200080014204300120015008200240016224501080018625000080029426000620030230000250036433600260038933700280041533800270044336500180047049000420048850400510053052017970058165000470237865000420242565000360246765300930250370000330259670000320262920907795OSt20220912150744.0190328s2019    nyu      b    001 0 eng    a  2019008080  a9780367263737 (hbk.)  aDLCbengerdacJKRCdDLC  apcc  ae-it---00223a850.9353  bALO00aArchaeology of the unconscious :bItalian perspectives /ced by Alessandra Aloisi and Fabio Camilletti.  a1st  aNew York, NY :bRoutledge Taylor & Francis Group, c2020.  aix, 286 p. ;c23 cm.  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  b120.00cPound  aWarwick  Series  in  the  Humanities   aIncludes bibliographical references and index.  a"In reconstructing the birth and development of the notion of 'unconscious', historians of ideas have heavily relied on the Freudian concept of Unbewussten, retroactively projecting the psychoanalytic unconscious over a constellation of diverse cultural experiences taking place in the eighteenth and nineteenth centuries between France and Germany. Archaeology of the Unconscious aims to challenge this perspective by adopting an unusual and thought-provoking viewpoint as the one offered by the Italian case from the 1770s to the immediate aftermath of WWI, when Italo Svevo's La coscienza di Zeno provides Italy with the first example of a 'psychoanalytic novel'. Italy's vibrant culture of the long nineteenth century, characterised by the sedimentation, circulation, intersection, and synergy of different cultural, philosophical, and literary traditions, proves itself to be a privileged object of inquiry for an archaeological study of the unconscious; a study whose object is not the alleged 'origin' of a pre-made theoretical construct, but rather the stratifications by which that specific construct was assembled. In line with Michel Foucault's Archéologie du savoir (1969), this volume will analyze the formation and the circulation, across different authors and texts, of a network of ideas and discourses on interconnected themes, including dreams, memory, recollection, desire, imagination, fantasy, madness, creativity, inspiration, magnetism, and somnambulism. Alongside questioning pre-given narratives of the 'history of the unconscious', this book will employ the Italian 'difference' as a powerful perspective from whence to address the undeveloped potentialities of the pre-Freudian unconscious, beyond uniquely psychoanalytical viewpoints." --cProvided by publisher. 0aItalian literaturexHistory and criticism. 0aPsychoanalysis and literaturezItaly. 0aSubconsciousness in literature.  aPsychoanalysis and literatureaSubconsciousness in literatureaItalyaItalian literature1 aAloisi, Alessandra.eEditor.1 aCamilletti, Fabio.eEditor.