Savitribai Phule Pune University, Pune

Jayakar Knowledge Resource Centre

British posters : advertising, art & activism / Catherine Flood.

By: Flood, Catherine [author.]Contributor(s): Victoria and Albert Museum [issuing body.]Material type: TextTextDistributor: New York : Distributed in North America by Harry N. Abrams Inc., [date of distribution not identified]Copyright date: ©2012Edition: 1st edDescription: 128 p. : illustrations (chiefly color) ; 28 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9781851776764 (pbk)Subject(s): Posters, British -- 20th century | Social participation -- Great Britain | Social problems in artDDC classification: 741.6740941
Contents:
Foreword / Margaret Timmers -- 1. Moving through the mainstream. Post-war reconstruction -- Commercial art, graphic design and the 'creative revolution' -- The continuing power of the poster -- 2. Alternative directions. Pop, psychedelia and the poster boom -- Protest poster-making -- Posters and popular music -- 3. Into a digital age. Renaissance in outdoor advertising -- Bill posters will be prosecuted (Bill Posters is innocent) -- The art gallery of the streets -- 'People do love huge pieces of paper' -- Speaking truth to power.
Summary: "Drawing on the V & A's wide-ranging poster collection, this book maps how the poster has evolved in Britain since 1945 in the hands of graphic designers and fine artists, advertising agencies and counter-cultural groups. The range spans 'Keep Britain Tidy' campaigns, lavishly produced Benson & Hedges billboards, punk rock posters, hand-printed indictments of politicians and public art projects on the Underground. Defying regular predictions of its demise, the poster in Britain has adapted itself within a changing technological environment. It has absorbed new directions in art and design and has met unfolding social and commercial challenges."--Page 2 of cover.
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Holdings
Item type Current library Home library Call number Status Notes Date due Barcode Item holds
JKRC Social Science Complex
JKRC Social Science Complex
741.6740941 FLO (Browse shelf(Opens below)) Available PN103853 BCL2409
Total holds: 0

Includes bibliographical references and index.

Foreword / Margaret Timmers -- 1. Moving through the mainstream. Post-war reconstruction -- Commercial art, graphic design and the 'creative revolution' -- The continuing power of the poster -- 2. Alternative directions. Pop, psychedelia and the poster boom -- Protest poster-making -- Posters and popular music -- 3. Into a digital age. Renaissance in outdoor advertising -- Bill posters will be prosecuted (Bill Posters is innocent) -- The art gallery of the streets -- 'People do love huge pieces of paper' -- Speaking truth to power.

"Drawing on the V & A's wide-ranging poster collection, this book maps how the poster has evolved in Britain since 1945 in the hands of graphic designers and fine artists, advertising agencies and counter-cultural groups. The range spans 'Keep Britain Tidy' campaigns, lavishly produced Benson & Hedges billboards, punk rock posters, hand-printed indictments of politicians and public art projects on the Underground. Defying regular predictions of its demise, the poster in Britain has adapted itself within a changing technological environment. It has absorbed new directions in art and design and has met unfolding social and commercial challenges."--Page 2 of cover.

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