Why photography matters as art as never before / by Michael, Fried.
Material type:
TextPublication details: New Haven : Yale University Press, 2008Edition: 1st edDescription: ix, 409 p. ; ill. (some col.) ; 29 cmISBN: 9780300136845 (hbk.)Subject(s): Photography, Artistic | Photography -- PhilosophyDDC classification: 770.1 Online resources: Table of contents only | Item type | Current library | Home library | Call number | Status | Notes | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|---|
| JKRC Social Science Complex | JKRC Social Science Complex | 770.1 FRI (Browse shelf(Opens below)) | Available | Acc.No. PN087826 | BCL2099 |
Includes bibliographical references (p. 353-397) and index.
Three beginnings -- Jeff Wall and absorption ; Heidegger on worldhood and technology -- Jeff Wall, Wittgenstein, and the everyday -- Barthes's Punctum -- Thomas Struth's museum photographs -- Jean-François Chevrier on the "tableau form" ; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Roland Fischer ; Douglas Gordon and Philippe Parreno's film Zidane -- Street photography revisited : Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's allegories of intention ; "Exclusion" in Candida Höfer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "bad" objecthood : James Welling, Bernd and Hilla Becher, Jeff Wall.
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